I have to tip my hat to folks who review books for a living. Where would we be without them? Dog paddling aimlessly in an ocean of literature, that's where! In what I could only imagine as being a time-consuming and emotionally draining labor of love, their efforts and insight provoke conversations, nurture our tastes, and expose us to new and exciting examples of self-expression. For authors, reviews serve to validate us and make us feel seen. But they should also serve to humble us. We should internalize and process feedback to become better writers, as well as demonstrate gratitude and patience.
That being said, I am very grateful for the kind and honest review from Bookshelfie. They aim to support self-published authors by:
"providing a platform where their books can be easily reviewed and discovered by readers—completely free of charge. Born from a dissatisfaction with existing self-publishing platforms and a desire to uplift independent voices, Bookshelfie ensures a more author-friendly alternative to larger, corporate sites."
Read the full review below!
Book Review 4.5/5 (Strongly recommended)
In “John Cleese Saved My Life!: …And Other True Tales of Pop, Politics, and Prayer,” Scott Berndt pens a personal memoir that explores how the cultural touchstones of the 1980s shaped his spiritual journey and worldview. Through a unique blend of historical analysis, pop culture commentary, and intimate reflection, Berndt entwines together seemingly disparate and unconnected threads – from Monty Python to U2, from televangelism scandals to the anti-apartheid movement – to create a novel that illuminates both an era and a life in transition.
The book begins with an autobiographical account of Berndt’s sheltered childhood in Anoka, Minnesota (the self-proclaimed “Halloween Capital of the World”), where television served as his primary window to the wider world. Through his young eyes, we witness how global events like the Iranian hostage crisis and the nuclear arms race could penetrate even the most insulated suburban existences. But it’s Berndt’s discovery of socially conscious music and comedy that truly began to expand his horizons.
Likewise, Berndt’s analysis of 1980s protest music and its influence on his life is particularly astute. He makes a compelling case that the decade produced more substantive political commentary in its mainstream pop than the often-lionized 1960s, examining how artists like Bruce Springsteen, Don Henley, and Genesis addressed issues from economic inequality to foreign policy. His deep dives into songs like “Sun City” and “All She Wants to Do Is Dance” reveal layers of meaning that casual listeners might have missed.
As that title hints, the author’s central thesis revolves around the influence of John Cleese on his life, particularly his role in organizing the Secret Policeman’s Ball benefit shows for Amnesty International. These concerts apparently created a template for celebrity activism that would later inspire Live Aid and other cause-oriented mega-events. Through this lens, Berndt traces how his own social consciousness evolved from passive consumption to active engagement. With footnotes on every second page, it’s clear that Berndt researched his arguments thoroughly. In addition, he does not shy away from how Cleese’s recent statements about immigration and trans rights have forced Berndt to reconcile his hero’s contradictions.
The memoir takes an unexpected turn in its final chapters, as Berndt recounts his conversion to the Bahá’í Faith and, more poignantly, his eventual departure from that community due to its failure to adequately address systemic racism. This section provides some of the book’s most powerful moments, as Berndt grapples with the challenge of maintaining spiritual conviction while rejecting institutional dysfunction. Throughout the work, Berndt’s writing style is engaging and accessible, peppered with humor and pop culture references that never feel forced. His ability to connect personal anecdotes to broader historical movements helps illuminate how individual lives intersect with and are shaped by larger social forces.
The book’s one weakness might be its somewhat abrupt ending, which leaves some threads unresolved – though this arguably mirrors the author’s ongoing spiritual journey. Additionally, some readers may find the focus on John Cleese random, and wish for more detail about certain periods of his life that receive relatively brief treatment. Despite these minor shortcomings, “John Cleese Saved My Life!” succeeds both as a coming-of-age story, as a cultural study and as a cultural criticism. It offers valuable insights into how entertainment and activism can shape personal development and social consciousness. For readers interested in the intersection of pop culture, politics, and spirituality – or anyone seeking to understand how the 1980s helped shape our current moment – Berndt’s memoir provides a thoughtful and engaging exploration.
Most importantly, the book reminds us that our personal journeys of discovery and growth don’t necessarily lead to neat conclusions. The author’s path from questioning Lutheran to committed Bahá’í to spiritual seeker demonstrates that growth isn’t linear, and that certainty can give way to doubt at any moment. Sometimes, as Berndt’s experience suggests, the seeking itself is what matters most.
By Maria Ashford (2/18/25)
Link to review here.
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